I’m closing the blog and moving the lyrics to a new repository. You’ll still be able to use the lyrics for your music projects, and I’ll add new ones as they’re created, but I won’t be blogging. The new site is: https://sites.google.com/view/mysongwords/home
I’ve written some lyrics in the AAA song structure.
The AAA song structure is the most basic form of song, it consists only of verses. There is no chorus to build up to, no bridge, no intro, no outro. You can have as many verses as you like, but they are all of the same internal structure. At the end of each verse there is often a repeated refrain.
How boring, you may think, but when I tell you that Blowin’ In The Wind by Dylan and Bridge Over Troubled Waters by Simon and Garfunkel are both AAA songs, you may rethink. And there are many, many more AAA, or Strophic form, songs around.
Strophic is from strophe which is Greek for “turn” and in Greek plays the strophe was a verse that swept across the orchestra from one side to the other and then turned and swept back – the anti-strophe.
My song, In The Afterglow Of Dreams, is about waking up. An afterglow, or alpenglow, is when the setting sun briefly illuminates snow covered peaks before disappearing over the horizon. I’ve used this phenomenon as a metaphor for waking from a dream – those few moments before full awakening.
Here’s the song:
In The Afterglow of Dreams
2022©John Schofield
Verse 1
Subtle shades of dark dissolve
Into half-remembered scenes
Sighs and slow awakening
In the afterglow of dreams
Verse 2
Vague thoughts and recollections
Are they really what they seem?
These strange hallucinations
In the afterglow of dreams
Verse 3
Waking brings back memories
Of someone’s silent scream
One disturbing moment seen
In the afterglow of dreams
Verse 4
Pushing through that barrier
Lets the morning sunlight stream
Bringing full awakening
In the afterglow of dreams
I write lyrics by hand and only when they are virtually complete do I type them into Word for final edit. I write in pencil on blank unlined paper. The paper becomes covered in words, phrases, rhymes, ideas, possible structures and anything else that springs to mind during brainstorming. From this chaos emerges a song. It’s like magic.
I’ve added a couple of new lyrics, in Lyrics3 and Lyrics 4.
I tend to write short lyrics so sometimes musicians repeat sections of a song and move sections around a bit – I have no objection to this at all. I favour short lyrics because I like a song to have space to breathe and not be so syllable-dense the singer has no room to manoeuvre. Have fun!
Well, April Fool’s day has come and gone without someone contacting me and pretending to be Elton John looking for a new lyricist.
A rush of visits to the site recently, I hope people are finding something they like and can hang their melodic magic on.
I’m working on new lyrics, as usual, but also trying to write to someone else’s melody which is new for me. It might take me some time but I’m determined to do the melody justice.
Thought’s are with the brave people of Ukraine. There’s a particularly unpleasant place in hell for Putin.
The four co-writes I did with Elisabeth Roberts are out as an EP on various platforms, including Spotify: https://open.spotify.com/album/14Z44njqEpihEwFK1llC3D
Also, They Took Out The Bend written by me and sung by Eric Butterfield is on Spotify and Bandcamp, and other platforms. Here’s the Spotify link:
Lyrics come from the head and music comes from the soul, but they both have the same task – to create emotion. The trick is to make sure both are evoking the same emotion.
If you’re writing lyrics to music you need to be sure you aren’t subverting the composer’s intentions in order to accommodate your lyrics. Similarly, if you’re writing music to lyrics it’s important to recognise the emotion those lyrics evoke and compose appropriately. A dirge-like melody is not going to sit happily with words of a glorious spring and budding romance, and a happy floating melody shouldn’t be dragged down by funereal lyrics.
Food for thought.
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